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Poses female body sketch8/15/2023 ![]() A mouth slightly open with the lips just apart, however, implies openness, agreement, willingness, or even vulnerability. A closed, tight mouth tends to suggest defiance, boredom, or even anger. With female portraits how the mouth appears can make or break a photo. Remember – a strong jawline isn’t just a tip for posing men! 4. This will usually bring the chin out and down, making for a strong, attractive jaw line. If you’re facing the model straight on, another technique is to ask the model to bring their head forward as if they were a turtle poking its head of its shell. Just make sure their tongue is on the roof of their mouth, not against their teeth, or it will might show through their smile. This might feel a little weird, but it lengthens the neck, accents the jawline, and helps to avoid double chins. Next, have them press their tongue to the roof of their mouth while smiling. Shooting from above eye level is one technique, but there are others that are just as important.įirst, ask the model to lower their chin. Go for a Strong Jaw LineĪ strong jaw line without a double chins is one of the main features you’re going for in female portraits. If you’re on a soft surface like grass or sand, try asking the model to lay down so you can shoot from above – this can be a flattering pose for bikini photoshoots. The female body looks smaller when the camera is above and a bit of a distance away. This angle works great for curvier women especially. The camera should always be at least above her eye level – never below it. ![]() Shooting from slightly above your model will help to define the chin and jawline. It’s surprising what a huge difference just this small of a change can make – check our guide on posing people for more examples. If this seems like too much of a turn, scale back by just placing one shoulder closer to the camera. For example, positioning a model with her shoulders square to the camera will make her body look wider.Ī better choice is to have her turn her body away from the camera by about two thirds while keeping her face straight towards the camera.įor example, if you’re asking the model to turn their right side away from the camera, have them step back with their right foot. It’s not really about the size of the model – it’s more about how they’re positioned. When posing a female model we’re going for a slim, feminine look. We hope you enjoyed this article on drawing the female form.8 Tips and Tricks for Natural Female Poses 1. Simplifying the shapes of the body down to such basic geometric primitives when learning how to pose the female figure will let you work quickly.Īnd, you can try our several variations of the pose without much hassle until you get just the right mix. Use tapered cylinders to quickly create the upper and lower leg. Working like this where you draw lightly and loosely to create the construction lines in the beginning is an excellent way to experiment with your character’s design and pose.As your drawing moves from the ‘exploration’ stage, where you are feeling everything out and settling on the final look, the lines become darker and more confident. Notice how dark the lines become as the pose is fleshed out. ![]() Take note of how the drawing has evolved from step one to the final step for this lesson. Remember to take into consideration the twist of the torso as you draw this middle line because it should naturally follow the rules of perspective, which will cause the middle line to be pushed to one side or the other.Īs you continue to work on drawing the female form, feel free to erase your sketchy construction lines. ![]() When learning about drawing the female form, it can be very helpful to draw in the line down the middle. While the character is following the “C” curve, it can get a little confusing because that “C” doesn’t always follow the center line down the middle of the torso along the front. If you think of these sections of the torso as different sized beads on a string (like a pearl necklace) it will help you to find the correct angle to bend them as the travel along the curve of the line of action. In this lesson on how to pose the female figure, we’re going to change things up a little bit so you can use a “C” curve.Īfter you’ve drawn the line of action, start adding circles to the body for the main parts of the torso: In the last lesson on drawing the female form, you started off with an “S” curve for the line of action. ![]()
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